Friday, January 24, 2014

Self-Published Authors: It's Not About the Money

Does self-publishing a book make one into a real writer? That is, professional author? Or is a self-publisher merely a vanity author?

The outside world may not care about such definitions, but as self-publishing became ever cheaper and easier over the past 15 years (due to print-on-demand, distributing those POD books via Amazon, and finally Kindle ebooks), writers have hotly debated who is a professional.

Only professional authors are permitted to join many writers' organizations, so defining a professional is not an entirely fanciful past-time. It has real world consequences.

Richard Lea observes, in Britain's The Guardian newspaper [January 23, 2014], that most self-published authors not only don't earn much money from their books -- they also don't think it's relevant to defining a writer.

I found this excerpt especially interesting:


[T]he self-publishing revolution has allowed "hundreds of thousands of voracious readers with a dream of writing a novel" to write books "out of love and passion, just like a kid goes out and dribbles a basketball for hours every day or kicks a soccer ball against a garage wall". But over the past few decades we wouldn't have called these people "writers" any more than we would call that kid in the back yard a footballer. If all it takes to be a writer is to stick your work online then we're all writers now.

In the old days things were much clearer. All you had to do to call yourself a writer was publish a book, which meant you needed someone else to publish it – and someone else to buy it.


Read the full story here.

Monday, January 20, 2014

Bogus Amazon Reviews

As an Amazon Vine Voice, I take pride in my Amazon reviews. I am thus especially disgusted by bogus "reviews for hire."

I found the below ad on Criagslist, which takes bogus reviewing to new depths. "Reviewers" are hired to post pre-written reviews. That's right. These phony slimebag "reviewers" don't even bother to write their own lies.

I suggest that Amazon (and Yelp -- I've seen ads for bogus Yelp reviewers as well) should engage in sting operations. Respond to these ads, try to find out who's posting bogus reviews, and delete all their reviews.

Here's the Craigslist ad (contact info not included):


We are a literary marketing company that helps authors/publishers increase book sales.

We are looking for individuals who can boost the positive "Amazon book review" postings on selected titles. You will be given the reviews. No need to do any writing. The books are of all genres, but some are erotica so you should be fine with that. You must have an active Amazon account (meaning having purchased anything from there) and a computer with a unique I.P. address (no Kindles/phones, etc.).
 
Need a handful of people to post reviews on about 10 books/day (should take less than an hour total). You will be paid $5/book ($50 total/every day). Payment is by Paypal on a daily basis.

Serious responses only. This gig starts right away.

Please provide your email as the system here keeps sending replies to junk mail. Thanks!


You can find some tips on how to spot a fake review on this site and on this site.

===========================

Friday, January 10, 2014

The Quarterly Review Interviews Me


Canadian writer Mark Wegierksi interviewed me for the Quarterly Review, during which I mostly discuss the creative process and themes behind my novels.

 You can read Wegierski's article here.

Wednesday, November 20, 2013

My Horror Panels at Loscon 40

I'll appear on five panels at Loscon 40, on Friday, Saturday, and Sunday of the Thanksgiving Day weekend, in Los Angeles, CA.

Although Loscon is a mostly science fiction/ fantasy convention, they've been expanding their horror events over the years. Four of my five panels are horror-oriented. They are:


* Humanizing Our Monsters

Vampires, werewolves, zombies, demons, serial killers. All have starred as sexy and dangerous, but ultimately misunderstood heroes and protagonists, of their own stories. What is it that drives us to give humanity to the manifestations of our darkest fears? Panelists: Jenna Pitman (m), Barbara Hambly, Julie Sczesny, E.E. King, Thomas M. Sipos. Friday, 8 - 9 p.m. Scottsdale Room.



I've much to say on this subject. In my book, Horror Film Aesthetics, I discuss the four appeals of horror. The fourth one I call "Sympathy for the Other" -- when "monsters" are viewed sympathetically (e.g., Dark Shadows vampire Barnabas Collins).



* Science vs the Supernatural

Ghosts or radiation? Mad science or necromancy? Medical malfunctions or immortal monsters? Does science or magic make for a better back drop to illustrate what scares us most? Is it all circumstantial? Panelists: Jenna Pitman (m), Julie Sczesny, Thomas M. Sipos, E.E. King. Friday, 9 - 10 p.m. Scottsdale Room. 



Yes, in Horror Film Aesthetics I break down horror's basic threats into three categories: the supernatural, horror/sci-fi, and the human (e.g., psychos). And I explain how horror overlaps with other genres, such as science fiction proper.



* Horror Literature vs Horror Cinema

Short horror works equally as well as a story or film. But horror novels and feature length are different monsters all together. What makes the novel different than a movie? Is one more frightening than the other? What do each of them get right? What do they get wrong? Panelists: Jenna Pitman (m), Thomas M. Sipos, Donald F. Glut, Tom Khamis. Saturday, 8 - 9 p.m. Atlanta Room.



In Horror Film Aesthetics I also explain why horror works better on film than on text, whereas the reverse is true of science fiction.



* And the Award Goes to...

All horror fans know that the genre has lost respect in recent years. Once our movies and novels were good enough to be considered classics but now they've been reduced to jokes. When was the last time our genre was been acknowledged by mainstream judges? How can the genre return to its glory days? Is it possible? Jenna Pitman (m), Julie Sczesny, Thomas M. Sipos, Tom Khamis. Saturday, 9 - 10 p.m. Atlanta Room.



I disagree that horror has lost respect in recent years, which I explain in my other book, Horror Film Festivals and Awards. You can also read about that topic in the book's forward, which is reprinted for free on my website.



* Future of Investigative Journalism

The newspapers have been the only institution in society to commit to in-depth investigative journalism, which is sometimes antagonistic to both governmental and corporate power. Now that the print market is imperiled, can bloggers and web-only publications fulfill their role? Richard Foss (m) Thomas M. Sipos, Mike Glyer, Dennis Mallonee. Sunday, 11:30 a.m. - 12:30 p.m. Marquis 2 Room.



I say much about investigative journalism -- what it is, who's doing it today, its current state of heath -- in my novel, Hollywood Witches.


All in all, I've much to say about all the above topics. Drop in to Loscon if you happen to be in the Los Angeles area over the Thanksgiving Day weekend.

Monday, June 25, 2012

France Bans Book Discounts

Small, independent bookstores in U.S. have long complained that publishers grant deeper discounts to bookstore chains and to Amazon.com, because the latter buy more books. The chains and Amazon then pass these discounts on to customers. This puts small bookstores at a competitive disadvantage.

Of course, the chains are at a competitive disadvantage even against Amazon.

But this disadvantage does not exist in France, which, forbids stores from discounting books beyond 5% of retail price.

According to Angelique Chrisafis, writing for Britain's The Guardian newspaper (June 24, 2012):


"In contrast to the UK's famous three-for-two deals, the French state fixes the prices of books and readers pay the same whether they buy online, at a high-street giant or a small bookseller. Discounting is banned. The government boasts that price controls have saved small independent bookshops from the ravages of free-market capitalism that were unleashed in the UK when it abandoned fixed prices in the 1990s. France has more than 3,000 independent local bookshops and 400 in Paris, compared with around 1,000 in the UK and only 130 in London. But online book giants are still eating into small bookshops, many of which struggle to stay afloat."


According to Wikipedia, this is called France's Lang Law. It was passed in 1981, and extended to cover ebooks in 2011. Similar laws exist in Austria, Denmark, Germany, Greece, Hungary, Italy, The Netherlands, Portugal, and Spain.

I love bookstores, but as a reader, I certainly appreciate book discounts. A conundrum.

Friday, June 15, 2012

Verizon Wireless Truly Sucks

I've written before about my problems with Verizon Wireless and how much they suck ... and suck ... and suck and really and truly suck.

Most (though not all) of my problems with Verizon were billing related, their robots automatically charging me for services or time that I never used.

Then, after long waits on their automated customer service line, Verizon would promise to credit me the full amount -- and then not do it.

So I canceled all of my Verizon Wireless accounts last August. I haven't had a cell phone since then. Which is good, considering that cell phones cause cancer. (Yes, they really do. Truly, they do.)

Now -- after not hearing from Verizon for nearly one peaceful year! -- Verizon has begun emailing me a "monthly bill" of $46.62.

Verizon is truly retarded! I have no wireless account with them. Yet they keep on billing, long after I've kicked them out of my life.

Thursday, June 07, 2012

Ray Bradbury, RIP

I discovered Ray Bradbury in a trash can. On my way home from grammar school, I saw that someone had discarded some yellowed, worn 1970s paperbacks. I salvaged all the true ghost stories and horror fiction anthologies. One Berkeley paperback contained Bradbury's "The Small Assassin," the tale of a mentally mature infant who plots his mother's murder. (Think of The Family Guy's Stewie.)

People forget that Bradbury, known for his science fiction, was also a horror writer. With "The Small Assassin," I became a lifelong Bradbury fan, whatever his story's genre.

I first met Bradbury in 1992, at a Malibu, California book-signing. (His, not mine). He loved my trash can story. One would expect the author of Fahrenheit 451 to rejoice at people rescuing any books from landfills, incinerators, or recyclers.

Read the rest of my article in the Hollywood Investigator.

Wednesday, May 30, 2012

What Does It Mean to Be Published?

Back before Kindle, before print-on-demand even, the public derided self-publishing as vanity publishing. Vanity books were not real books. Vanity authors were not real authors.

To be published -- to be truly published -- required more than having a book in print. It required that an objective third party had invested in printing your book. A commercial publisher believed that your book was entertaining or interesting enough to find favor with the paying public.

Commercial publishers are motivated not by vanity, but by an objective calculation of how much a book is worth on the market. Self-publishers call these people "traditional publishers," as though self-publishing is new and ground-breaking. It's not. Self-publishing is not ground-breaking. And "commercial publisher" better describes non-vanity publishers than the term "traditional publisher."

If your book was printed by a commercial publisher -- an objective third party who risked his own money to publish your book -- then you, the commercially published author, derived prestige and status. The public admired you for overcoming the hurdle of an objective third party.

By contrast, if an author self-published, that meant the book was printed solely because of the author's faith (i.e., his vanity) in the book's merits. And because every mother believes her child to be beautiful and gifted, however ugly and stupid a child may be, the public was rightfully skeptical of self-published books. Which the public called "vanity books."

Vanity were not real books. Vanity books weren't published, they were printed. They sat stacked in cardboard boxes, unsold, in the author's basement or garage.

Read the rest of the article.

Wednesday, April 25, 2012

The Celestine Prophecy: Old Socialism for a New Age

I'm not a big admirer of the New Age. My Hollywood Witches satirizes, among other targets, La La Land flakes and their silly infatuations with New Age make-believe.

The New Age movement is a blend of self-obsession, self-delusion, squishy-Left politics, greedy scam artists, second-hand cafeteria spirituality, and pseudoscience -- with many practitioners embodying all of those seemingly contradictory traits.

The dreadful Celestine Prophecy -- a huge bestseller in the 1990s -- is a good example of New Age nonsense. I reviewed the book in 1995. That review is now reprinted at the Weekly Universe.

Saturday, April 21, 2012

Jonathan Frid, RIP

I just learned that Dark Shadows actor Jonathan Frid has died at age 87. The Chicago Tribune reports:


"Jonathan Frid, star of the original 'Dark Shadows,' died of natural causes in Canada last Friday (April 13) at the Juravinski Hospital in Hamilton, Ontario.

"Frid was best known for playing Barnabas Collins on gothic soap opera 'Dark Shadows,' which aired on ABC from June 1966 to April 1971. The character of Barnabas appeared a year into its run on TV and catapulted the show's popularity.

"Frid did not do much acting other than in 'Dark Shadows' and did not have an acting credit since the 1974 film 'Seizure' until he filmed a cameo for the 2012 release 'Dark Shadows,' which features Johnny Depp as Barnabas."


Well, that's not true. Jonathan was a seasoned stage actor long before being cast as Barnabas in Dark Shadows. He went on to do much stage work after Dark Shadows, notably his one-man-shows.

I interviewed Jonathan in 1986. He was gracious and kind, even buying me lunch and inviting me into his home. At that time he lived in an apartment in New York City.

I returned a week later to see Jonathan's one-man-show, which he performed in his apartment for select fans. He normally changed his show's contents every few months, pre-testing new material before his fans.

Much of Jonathan's show consisted of him reading short-shorts, so I lent him a copy of Fredric Brown's Nightmares and Geezenstacks, which is filled with excellent short-shorts. Jonathan liked some of Brown's tales, and would have liked to incorporate them into his show. But due to copyright considerations, he couldn't do so without permission.

I was honored to have met and interviewed Jonathan Frid, and will continue to admire the body of work he left behind.

Tuesday, April 17, 2012

The Myth of True Communism

When my anti-Communist satire, Vampire Nation, was first published some dozen years ago, I began receiving complaints from self-identified Communists.

A common theme arose among their emails and postings. They said that I had misrepresented Communism, because Communism as historically practiced was not True Communism.

They claimed that True Communism was beautiful and wonderful and full of warmth and peace and love for all humanity.

I replied to their arguments with an article (which has now been reprinted) that I called: The Myth of True Communism.

Saturday, March 24, 2012

I Am to Sit on a Horror Film Festivals Panel


I have been invited to sit on a panel about Horror Film Festivals at the 2012 World Horror Convention, to be held in Salt Lake City, Utah, on March 29, 2012, at 4 p.m.

Actually, I pitched this panel idea last December, so it was only natural that I be included once the panel was approved. Also, I did write Horror Film Festivals and Awards, so (hopefully) I do have some knowledge about the subject.

The other panelists are Blake Casselman, Stephen Graham Jones, filmmaker Jonathan Martin, and Mario DeAngelis.

I'd suggested Casselman and Martin for the panel. Their presence too seemed only natural. Casselman is running the WHC's film festival this year. Martin is a Salt Lake City native whose An Evening With My Comatose Mother played at many horror film festivals last year, including my own Tabloid Witch Awards.

It was through the Tabloid Witch that I learned about Martin, his film work, and his home town, though I've yet to meet him in person. I'm looking forward to that, since, it turns out, Martin and I share a strong interest in Romania. (It being the locale of his documentary, I Am from Nowhere: The People History Ignored, and of my novel, Vampire Nation.)

Tuesday, February 14, 2012

I Am Nominated for a Rondo Award

My newest book, Horror Film Festivals and Awards, has been nominated for the 2012 Rondo Hatton Horror Classic Awards.

The nomination is for their "Book of the Year" category.

The Rondos are a fan award. Anyone can vote for the winners online.

My previous book, Horror Film Aesthetics, was likewise nominated for a Rondo last year. It didn't win, and I don't expect to win this year. But as they say about every award, "It's just an honor to be nominated!"

Saturday, December 10, 2011

Don't Hate on Christmas

Here's my letter to the editor, which appeared in the December 10, 2011 Santa Monica Daily Press:

Editor:

Mr. Jorg Aadahl ("Different take on Christmas," Letters to the Editor, Dec. 5) is apparently offended that Christmas doesn't have a "neutral name." He prefers that we say Yuletide because it is "all inclusive, for everyone."

But no holiday is "all inclusive." Not everyone chooses to celebrate Chanukah, Halloween, Thanksgiving — or even Yuletide. Nor is there any reason that 100 percent compliance should be a requirement. If one were offended because someone wished them a "Happy Chanukah" or "Happy Thanksgiving," that person would be regarded as a bigot, or just plain weird.

Christmas alone is deemed offensive because not everyone celebrates it. You needn't belong to a religion or ethnicity to appreciate its culture.

Non-Chinese people visit Chinatowns all over the U.S. to enjoy Chinese New Year parades. Non-Latinos visit Olvera Street for Cinco de Mayo and Dia De Los Muertos celebrations. People of many religions visit Native American reservations to admire their religious dances.

Likewise, there's no reason that non-Christians can't look at (and even enjoy) a Christmas lights display. It's not a forced conversion.

Mr. Aadahl also tries to invalidate Christmas for its pagan roots. But many holiday customs are rooted in archaic or discarded practices. Trick-or-treating is no longer about bribing dead spirits to leave us be. Yet that does not invalidate Halloween's modern celebrations.

Thus does Mr. Aadahl criticize Christmas both for being too Christian ("non-inclusive") and not Christian enough ("pagan roots"). He should learn to appreciate that ours is a diverse society, and that Christmas — and Christianity — are significant parts of that diversity.

-- Thomas M. Sipos, Santa Monica, CA

Saturday, October 08, 2011

The Cult of Apple

Steve Jobs is dead, and that's unfortunate from a human standpoint. But I don't get all this fuss over how he and his company supposedly changed technology.

I bought my first computer in 1986. Right now I'm on my 9th computer, which runs
Windows 7. All my life, I've been a DOS/Windows user. I’ve never owned an Apple anything. Nor a Mac, nor anything beginning with an i.

Once, I used a computer running an Apple operating system. It was at Kinko's. I didn't realize it was running Apple (or Mac, or whatever they call their OS) until it CRASHED, and I had to call the clerk for help.

That's right. The Apple OS is so similar to Windows, I didn't even notice I was running Apple rather than Windows. And Apple CRASHES, same as Windows.

(Or rather, same as Windows used to crash. Windows 98 crashed a lot. I've not had crashes with Windows XP or Windows 7.)




Back in the 1990s, I'd read that Apple had about 5% of the OS market share. Windows had the rest (excepting maybe 1% for "others" like Linux and OS/Warp 2). Apple users urged me to switch to Apple. They spoke with religious hysteria. I got the impression they were afraid that Apple might soon go bust, so they wanted to entice other people into buying Apple, to bolster the company's market share.





Apple users have long sounded cultish to me. I've built a dozen or so websites from scratch, using Windows-based Netscape Composer, and then later, Dreamweaver. I've written all my books and scripts on Windows-based software (first WordStar for DOS, then Movie Magic Screenwriter and Open Office). I listen to MP3s on a Sansa Fuse (not iPod) player. My cell phone was Verizon, until I canceled due to their inaccurate billing.

Apple products are, I'm sure, no better than the rest. They just cost more, and have glitzier marketing.

That's the secret of Apple. Glitzy marketing, so as to create a sort of personality cult around the product. Yes, they've run some great ads. But like most ads, they're about image, not reality.

If Apple users were truly the anti-corporate/radical individualists they posture as, they'd switch to Linux.

Windows for the masses. Linux for the rebels. Apple for the poseurs.

-- Thomas M. Sipos

Thursday, October 06, 2011

When Screamfest L.A. Was Young

Today Screamfest L.A. is the largest horror film festival in Los Angeles. A big, splashy event with big studio support.

Yet I remember Screamfest before it was Screamfest.

In 2001, the first annual Screamfest was a small event, an early pioneer in what became this past decade's horror film festival boom. I attended that first Screamfest L.A., reviewing its films for Horrorfind.com.

Horrorfind has long since taken down all its film reviews, mine included. But now a blast from horror's past -- I've uploaded my 2001 Screamfest L.A. report to my Communist Vampires site, which you can read here.

Tuesday, September 27, 2011

Republican Zombies, Democratic Vampires

I've never been much for the theory that horror films "reflect social anxieties." I think horror has other primary appeals, such as its "sense of wonder" (something by no means exclusive to science fiction).

However, someone has crunched some box office numbers and TV ratings, and has concluded that vampires films are more popular during Republican presidencies, whereas zombie films are more popular under Democratic presidencies.

S. Peter Davis theorizes that this is because conservatives/libertarians perceive the Left as vampires, whereas liberals/progressives see the Right as zombies. And each of these groups, when out of power, suffer greater "social anxiety," which is reflected in the horror films released at that time.

It's a amusing article. Even better, Davis cites my book, Vampire Nation, as proof of his thesis.

Read Davis's entire article.

Friday, July 08, 2011

McFarland Releases Cover for Horror Film Festivals and Awards

McFarland Publishing has released the cover for my upcoming book, Horror Film Festivals and Awards.

Although I was not consulted on the cover, I like it. It has a retro, 1960s pop culture, beach party feeling.

It's funky -- and a bit ironic, since most horror film festivals have been founded since 2000. But no matter, for as coincidence would have it, I am a fan of The Horror of Party Beach. (Not a huge coincidence -- I enjoy most horror films.)

I'm currently proof-reading the, ehr, proofs. I am also now creating an index for the book.

The book includes a listing of thousands of past winners, from dozens of horror film festivals and awards, over the course of decades (some 400 manuscript pages when I submitted the book). So the index should take a while. I expect to finish it by late August, although I'm hoping it will be sooner than that.

Either way, Horror Film Festivals and Awards should be available for purchase by late 2011.

Thursday, May 19, 2011

What's Wrong With the Saturn Awards?

In 1997 I wrote an article about the Saturn Awards for Horror magazine. Horror folded before printing it, but my article was eventually published in my 2001 horror collection, Halloween Candy.

Back then I thought that the Saturn Award was the definitive horror film award. But times change. This past decade has seen a mushrooming of horror film festivals and awards, including the one I founded: the Tabloid Witch Awards.

With so many horror film awards around these days (a phenomenon that I discuss in my upcoming book), the Saturn is no longer so special.

Although dated, I now offer this article for free online, as a retrospective of the state of horror film awards in 1997.

Thursday, May 05, 2011

Verizon Sucks: Steals Another $50 from Me

Despite my past problems with Verizon wireless billing, last December I made the mistake of upgrading to their new 4G network.

In late January, I asked Verizon to Suspend my 4G service (for a $15 fee, saving on the monthly $50 charges). Verizon told me my service was Suspended.

Then I got my bill. My 4G service was NOT Suspended. I was charged the full $50.

I called to complain, waited and waded through Verizon's robotic phone menu, and finally told my problem to a human being. She told me that she would fix the problem, crediting me back the money I should have saved.

On my next bill, I saw that I had only been partially credited. I was still overcharged $33. Feeling the futility of dealing with Verizon, I let it rest.

In early March I traveled again, so I un-Suspended my 4G service. In mid-March I asked to re-Suspend service. Verizon assured me they had done so.

Naturally, on my next bill, I saw this was NOT the case. I was charged the full $50.

I phoned again. This time Verizon told me that they offer the option of SUSPENSION WITHOUT BILLING or SUSPENSION WITH BILLING. Verizon had thought I wanted SUSPENSION WITH BILLING.

HUH?

Who would want SUSPENSION WITH BILLING? What's the point of suspending your service if you're still going to be billed?

I finally told Verizon to disconnect the service, despite the ADDITIONAL $160 disconnection fee. The Verizon rep told me "What I can do is charge you the $50, and ask my supervisor to credit you with the $50 on your next bill."

But I knew from my previous dispute just how worthless Verizon's promises to "credit back" are.

I suppose I'll pay the $160 disconnect fee, and dispute the $50 fee on my credit card statement.

I still use Verizon landline and cell phone -- they're next to go. I've had it with Verizon.

PS: If you're wondering if Verizon's 4G broadband wireless is as fast and reliable as Verizon claims, well, it's faster than their 3G ... when it works. But their 4G is not as fast as home wifi.

And Verizon's 4G still has problems with "going dormant." If you stay on any webpage for a minute or so, the 4G will go dormant, and you can't click to another page. Sometimes, you'll have to disconnect and reconnect to get out of dormancy mode (i.e., to wake up the damn 4G modem).

Then there's the problem of the modem disconnecting on its own. That still happens.