Stephen
Furst, best known for getting his start in “Animal House,” has passed
away due to complications with diabetes, Variety can confirm. He was 63
years old.
Furst died in his Moorpark, Calif. home on Friday. His sons Nathan and Griff Furst confirmed their father’s death on Facebook Saturday evening.
Furst died in his Moorpark, Calif. home on Friday. His sons Nathan and Griff Furst confirmed their father’s death on Facebook Saturday evening.
New media are highlighting what they regard as Furst's most noteworthy acting achievements, such as roles in Animal House, Babylon 5, and St. Elsewhere. They're overlooking the work by Furst that most impressed me: that of "Junior" Keller in the 1980 horror film, The Unseen.
The Unseen is one of my favorite
horror films. (And I am not the person to say that lightly.) A framed
poster from the film currently hangs in my living room. The one on the
right. There are many Unseen posters out there, with different images. I should know. I own a few.
In The Unseen, Furst performed splendidly as an inbred, retarded killer. In my review of the film, I wrote:
But it
is Stephen Furst (Animal House)
who shines as Junior Keller ... the unseen. Weldon describes
Junior as a "murderous, retarded, overweight, full- grown
baby." That's kinda what Junior looks like, but not really what he is.
Having
seen The
Unseen a dozen or so times, I suspect he
kills the women by
accident. He merely wants a closer look (at Lamm's golden
hair, for
instance), and pulls too hard. A child who doesn't know
his own strength. And he's not a "full-grown baby," he just looks like
one because he's fat,
dressed in soiled diaper-like rags, and he can't talk. He
can only
grunt.
Okay actors. Here's an assignment: Portray a sympathetic mutant retard killer, while
wearing soiled diaper-like rags, in makeup that makes you look like some
ugly incestuous spawn from Deliverance. And all you're allowed to do is grunt. Grunt and stomp and pound
and grunt. And oh yeah, try and be nuanced and subtle.
Furst
does it.
His Junior is ugly and frightening, yet we detect his motivations beneath his grunting and stomping. His frustrated ineffectual attempts to communicate with Bach and recruit her for his playmate. His love for mom. His fear, then anger, at dad. However repulsive and scary and unsympathetic Junior initially appears, his demise is poignant. I hesitate to equate Furst's Junior with Karloff's Monster, but I also hesitate to dismiss the comparison out of hand.
You can see the entire film on YouTube (although I also own it on Beta, VHS, DVD, and Blu-Ray -- in addition to seeing it in the theater when it was first released).
Some horror fans hate The Unseen. Why do I love it so much? You can read my entire review here. I've also written about this film in my book, Horror Film Aesthetics: Creating the Visual Language of Fear.
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